Paul Minott's mono-printing brings together the two fundamental appeals of graphic design: real ink on real paper, and a mechanical process that mediates between intention and realisation.

This print has been made by rolling and then removing areas of pure flat colour from the plate. He often uses hand or laser-cut stencils either to hold or conceal areas of ink, which add a further embossed dimension to the prints. 

Monoprint

H 58 x W 45 cm (framed)